There is sudden surge of Bengali actors in Bollywood cinema after the
box-office success of Vidya-Balan-starrer, “Kahaani” and Paoli Dam's
“Hate Story”.
While in the past, stray forays in Hindi films have
been made by Uttam Kumar, Suchitra Sen, Biswajeet and Moushumi
Chatterjee, at least four to five actors from Bengali cinema seems to
have found a good audience response to their roles in Hindi films.
“Kahaani”
director Sujoy Ghosh plans to bring Vidya Balan back as Bidya Bagchi in
a sequel, while Kolkata and the Bengali stars are set to become more
important.
“Kahaani” has been praised for good performance by
supporting characters played by Bengali actors like Saswata Chatterjee
and Parambrata Chatterjee, the grandson of the legendary filmmaker
Ritwik Ghatak.
Saswata's portrayal of a poker-faced contract
killer won him many fans and made him an online craze while Parambrata's
turn as a cop was appreciated.
Apart from “Kahaani”, Vikram
Bhatt's much-talked about film “Hate Story” marked the debut of Paoli
Dam, another Bengali actress. She created ripples with her bold scenes
in the Vivek Agnihotri-directed movie.
“It is every actor's dream
to work in Bollywood. I want to do more films here. If I get good and
interesting projects in Bengali then I would definitely do so,” Paoli
said.
Bengali superstar Prosenjit Chatterjee, who left Bollywood
after the failure of “Aandhiyaan” and “Meet Mere Man Ke”, is returning
to Hindi cinema after two decades with Dibakar Banerjee's political
thriller “Shanghai”.
Prosenjit is playing the role of a social
activist. Dibakar says though it is not a big role, Prosenjit's presence
permeates the entire movie.
“It took me three months to convince
him [Prosenjit]. He wanted to be very sure before he did anything
outside the Bengali film because it would be his first Hindi film after a
long time,” Dibakar said.
Exploring the dark side of politics and
corruption, “Shanghai” is about the dream of turning Indian cities into
Shanghai overnight.
Dibakar feels it is not easy for superstars
of regional language cinema of India to break into Bollywood and this is
why they hesitate to star in Hindi films.
“Anybody who comes from
regional cinema...for him or her to break through the very insular star
system of Bollywood is not easy. When you are respected as the number
one in own film industry it's difficult to sort of accept the fact that
you are seen as a new entrant to this industry. That's where true
courage comes in and Prosenjit has it in him,” the director of “Khosla
Ka Ghosla” said.
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